I’m happy to announce Simple Humans: Conversations with Machines and Ourselves, a collaboration with Lia Giannakou presented by the Centre for Non-Machines Research and Grace Exhibition Space in New York.
GES NOMAD SPACES, various locations around New York City
October 1–3, 2026
Lia Giannakou & Mindaugas Gapševičius
I’m pleased to take part in Shared Habitats: Interdisciplinary Artistic Practices from the Contemporary Bauhaus, a conversation bringing together faculty from the Media Art & Design program at Bauhaus-Universität Weimar and the University of Iowa.
Wednesday, September 23, 2026
02:30 PM to 04:00 PM
This event is hosted at:
Stanley Museum of Art
160 West Burlington Street, Iowa City, IA 52242
Together with Ursula Damm and Kerstin Ergenzinger, I will discuss interdisciplinary artistic practices exploring relationships between technology, ecology, sound, biological processes, and non-human agents. The conversation will be followed by an audience Q&A and reception.
Continue reading “Shared Habitats: Interdisciplinary Artistic Practices from the Contemporary Bauhaus”I am pleased to once again be co-curating a student exhibition at the Ars Electronica Festival in Linz, this year as part of the Ars Electronica Campus Exhibition.
Together with students and colleagues from Bauhaus-Universität Weimar, Relational Interactions brings together artistic works that explore life as a dynamic web of exchanges between humans, non-human organisms, materials, and technological systems. Rather than treating technology as something separate from life, the exhibition considers how biological, technological, and perceptual processes continuously shape and transform one another.
Continue reading “Ars Electronica Festival 2026 — Relational Interactions”I am honoured to have been selected as an Obermann International Fellow for Fall 2026 at the Obermann Center for Advanced Studies, University of Iowa.
The fellowship brings together artists and scholars from different disciplines for a period of research, exchange, and concentrated work. I will use this opportunity to further develop my ongoing artistic research into the relationships between non-human agents, human creativity, and environmental processes, continuing my exploration of alternative forms of collaboration between living systems, technology, and artistic practice.
Continue reading “Obermann International Fellowship — Fall 2026”I am pleased to be taking part in How to Feel Real. Art, Technology and Us, an international group exhibition at MO Museum in Vilnius, developed in collaboration with ZKM | Center for Art and Media Karlsruhe.
I will present Loveletters to My Fellow Human, a work that turns its attention towards the human encounter — towards intimacy, connection, vulnerability and the ways we address one another in an increasingly technologically mediated world.
Continue reading “How to Feel Real. Art, Technology and Us”I am pleased to be participating in ONTOPOLY, a group exhibition curated by Harm Lux on the roof of the community centre at Falckensteinstraße 6 in Berlin-Kreuzberg.
For the exhibition, I will present a variation of Love Letters to My Fellow Human combined by Artificial Jellyfish and [Dried Out] Pond, bringing these two bodies of work into a new context of reflection on human relations, nature, traces, and our shared world.
Continue reading “Variation of Loveletters to My Fellow Human @ ONTOPOLY”We’re pleased to announce the participation of Ultra-Low-Voltage Survival Kit in Boundaries of (In)Security, an exhibition curated by Skaitra Trilupaitytė, on view 28 May – 20 September 2026 at the Lithuanian National Museum of Art.
The exhibition explores shifting boundaries of security, vulnerability, and resilience, bringing together artistic and critical perspectives on contemporary conditions of (in)security.
Continue reading “Ultra-Low-Voltage Survival Kit @ Boundaries of (In)Security”International Digital Media and Art Association Conference 2025
Exhibiting art of internationally known artists that challenge folk and traditional narratives through digital contexts.
9-12 October 2025
Opening hours: 5-8 PM
Laird Norton Center for Art & Design
Winona State University, Winona, MN, USA
Folk Media in the Digital Age (FM>iDA) invites audiences to explore how traditional folk narratives resonate with contemporary artists in the digital age. Each piece challenges conventions while offering fresh perspectives on identity, community, and culture. This showcase underscores iDMAa’s commitment to pioneering cross-cultural dialogue in a rapidly evolving media landscape.
As part of the Ars Electronica Campus Exhibition, the Media Art & Design programme of the Faculty of Art and Design is showcasing five artistic projects under the title of »Cybernetic Subjects«: The Pond, Ymr.x, Latent Heat Generation, She’s So Centsible, Sonic Ecologies, and Humans. The exhibition revisits cybernetics – the science of control, regulation and communication in systems – and critically examines the links to artificial intelligence (AI) and ecological practices. While cybernetic systems are modelled on nature, today’s technologies seldom aim to truly understand nature and the environment. This is precisely what the central project »The Pond« addresses.
Continue reading “[Dried Out] Pond at Ars Electronica 2025”A couple of months ago, I had the great pleasure of presenting my installation Microorganisms and Their Hosts once again, this time as part of the larger exhibition Pienas (Milk) at the Rokiškis Regional Museum, which opened on May 17th. The exhibition remains on view until August 31st, 2025.
Continue reading “Microorganisms and Their Hosts at the Rokiškis Regional Museum”
![[Dried Out] Pond](http://triple-double-u.com/wp-content/uploads/2025/09/IMG_2349-1568x1045.jpg)
